The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Massimilla Doni by Honore de Balzac: Israelites set out for the desert! No one but Rossini can make wind
instruments and trumpets say so much. And is not the art which can
express in two phrases all that is meant by the 'native land'
certainly nearer to heaven than the others? This clarion-call always
moves me so deeply that I cannot find words to tell you how cruel it
is to an enslaved people to see those who are free march away!"
The Duchess' eyes filled with tears as she listened to the grand
movement, which in fact crowns the opera.
"/Dov' e mai quel core amante/," she murmured in Italian, as la Tinti
began the delightful /aria/ of the /stretto/ in which she implores
pity for her grief. "But what is the matter? The pit are
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Heritage of the Desert by Zane Grey: "Mescal, here you are," he greeted. "How about the sheep?"
"Piute's driving them down to the lower range. There are a thousand
coyotes hanging about the flock."
"That's bad," rejoined August." Jack, there's evidently some real
shooting in store for you. We'll pack to-day and get an early start
to-morrow. I'll put you on Noddle; he's slow, but the easiest climber I
ever owned. He's like riding
what's the matter with you? What's happened to make you angry?"
One of his long strides spanned the distance between them.
"Oh, nothing," said Hare, flushing.
"Lad, I know of few circumstances that justify a lie. You've met Snap."
 The Heritage of the Desert |