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Today's Stichomancy for Niccolo Machiavelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Breaking Point by Mary Roberts Rinehart:

had loved, the creaking faucets in the bathroom, Mike and Minnie, the laboratory, - united in their shabby strength, they were home to him. They had come back, never to be lost again. Home.

Then, little by little, they carried their claim further. They were not only home. They were the setting of a dream, long forgotten but now vivid in his mind, and a refuge from the dreary present. That dream had seen Elizabeth enshrined among the old familiar things; the old house was to be a sanctuary for her and for him. From it and from her in the dream he was to go out in the morning; to it and to her he was to come home at night, after he had done a man's work.


The Breaking Point
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Duty of Civil Disobedience by Henry David Thoreau:

to the wrong which I condemn.

As for adopting the ways of the State has provided for remedying the evil, I know not of such ways. They take too much time, and a man's life will be gone. I have other affairs to attend to. I came into this world, not chiefly to make this a good place to live in, but to live in it, be it good or bad. A man has not everything to do, but something; and because he cannot do everything, it is not necessary that he should be petitioning the Governor or the Legislature any more than it is theirs to petition me; and if they should not hear my petition, what should I do then?


On the Duty of Civil Disobedience
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Symposium by Xenophon:

immortal as to be serious. Nor will any one invite me in hopes of reclining at my board in his turn. Everyone knows so serious a thing as dinner in my house was never heard of; it's against the rules--the more's the pity.

[30] Cf. "Cyrop." VI. i. 3; Plat. "Laws," 677 C.

[31] Lit. "by the laughter which I stirred in them."

And as he spoke he blew his nose and snuffled, uttering the while so truly dolorous a moan[32] that everybody fell to soothing him. "They would all laugh again another day," they said, and so implored him to have done and eat his dinner; till Critobulus could not stand his lamentation longer, but broke into a peal of laughter. The welcome


The Symposium
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

on the subject, and to give a fair and unbiassed hearing to his own theory. The problem he pointed out was this: Who was that young man of Shakespeare's day who, without being of noble birth or even of noble nature, was addressed by him in terms of such passionate adoration that we can but wonder at the strange worship, and are almost afraid to turn the key that unlocks the mystery of the poet's heart? Who was he whose physical beauty was such that it became the very corner-stone of Shakespeare's art; the very source of Shakespeare's inspiration; the very incarnation of Shakespeare's dreams? To look upon him as simply the object of certain love- poems is to miss the whole meaning of the poems: for the art of