| The first excerpt represents the past or something you must release, and is drawn from The Door in the Wall, et. al. by H. G. Wells: how we sat and talked in half whispers to one another. We talked
in whispers not because there was any one to hear, but because
there was still such a freshness of mind between us that our
thoughts were a little frightened, I think, to find themselves at
last in words. And so they went softly.
"Presently we were hungry and we went from our apartment,
going by a strange passage with a moving floor, until we came to
the great breakfast room--there was a fountain and music. A
pleasant and joyful place it was, with its sunlight and splashing,
and the murmur of plucked strings. And we sat and ate and smiled
at one another, and I would not heed a man who was watching me from
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Life on the Mississippi by Mark Twain: If a shell was bursting close over us, we stopped talking and stood still;--
uncomfortable, yes, but it wasn't safe to move. When it let go, we went
on talking again, if nobody hurt--maybe saying, 'That was a ripper!'
or some such commonplace comment before we resumed; or, maybe, we would
see a shell poising itself away high in the air overhead. In that case,
every fellow just whipped out a sudden, 'See you again, gents!' and shoved.
Often and often I saw gangs of ladies promenading the streets, looking as
cheerful as you please, and keeping an eye canted up watching the shells;
and I've seen them stop still when they were uncertain about what a
shell was going to do, and wait and make certain; and after that they
sa'ntered along again, or lit out for shelter, according to the verdict.
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The third excerpt represents the future or something you must embrace, and is drawn from Northanger Abbey by Jane Austen: have a point to carry, you never stick at anything.
My sweet Catherine, do support me; persuade your brother
how impossible it is. Tell him that it would quite shock
you to see me do such a thing; now would not it?"
"No, not at all; but if you think it wrong,
you had much better change."
"There," cried Isabella, "you hear what your sister says,
and yet you will not mind her. Well, remember that it
is not my fault, if we set all the old ladies in Bath
in a bustle. Come along, my dearest Catherine,
for heaven's sake, and stand by me." And off they went,
 Northanger Abbey |