| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ion by Plato: the one speaks well and the other not so well?
ION: Yes; and I am right in saying so.
SOCRATES: And if you knew the good speaker, you would also know the
inferior speakers to be inferior?
ION: That is true.
SOCRATES: Then, my dear friend, can I be mistaken in saying that Ion is
equally skilled in Homer and in other poets, since he himself acknowledges
that the same person will be a good judge of all those who speak of the
same things; and that almost all poets do speak of the same things?
ION: Why then, Socrates, do I lose attention and go to sleep and have
absolutely no ideas of the least value, when any one speaks of any other
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Les Miserables by Victor Hugo: come to be called the Jack-pudding.
The tradition of carriage-loads of maskers runs back to the
most ancient days of the monarchy. The accounts of Louis XI.
allot to the bailiff of the palace "twenty sous, Tournois, for three
coaches of mascarades in the cross-roads." In our day, these noisy
heaps of creatures are accustomed to have themselves driven
in some ancient cuckoo carriage, whose imperial they load down,
or they overwhelm a hired landau, with its top thrown back,
with their tumultuous groups. Twenty of them ride in a carriage
intended for six. They cling to the seats, to the rumble,
on the cheeks of the hood, on the shafts. They even bestride the
 Les Miserables |