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Today's Stichomancy for Samuel L. Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

telling him the truth and offered to aid me if I would show him how I had thrown the man over my head and also make him a present of the "bang-spear," as he called it. I refused to give him my rifle, but promised to show him the trick he wished to learn if he would guide me in the right direction. He told me that he would do so tomorrow, that it was too late today and that I might come to their village and spend the night with them. I was loath to lose so much time; but the fellow was obdurate, and so I accompanied them. The two dead men they left where they had fallen, nor gave them a second glance--thus cheap is life upon Caspak.

These people also were cave-dwellers, but their caves showed the


The Land that Time Forgot
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis:

old donkey, and glancing wistfully at his mistress.

"Give him his supper, surely," she said, taking the hint.

It was a real treat to see how Lois enjoyed her supper, sipping and tasting the warm coffee, her face in a glow, like an epicure over some rare Falernian. You would be sure, from just that little thing, that no sparkle of warmth or pleasure in the world slipped by her which she did not catch and enjoy and be thankful for to the uttermost. You would think, perhaps, pitifully, that not much pleasure or warmth would ever go down so low, within her reach. Now that she stood on the ground, she scarcely came up to the level of the wheel; some deformity of her legs made her walk


Margret Howth: A Story of To-day
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Touchstone by Edith Wharton:

and they spent its last hours together. Glennard had planned no course of action--he simply meant to let himself drift. They both drifted, for a long time, down the languid current of reminiscence; she seemed to sit passive, letting him push his way back through the overgrown channels of the past. At length she reminded him that they must bring their explorations to an end. He rose to leave, and stood looking at her with the same uncertainty in his heart. He was tired of her already--he was always tired of her--yet he was not sure that he wanted her to go.

"I may never see you again," he said, as though confidently appealing to her compassion.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

bed in the rushes?

FIRST MAN. He dwells in that cavern yonder.

MYRRHINA. What a curious place to dwell in!

FIRST MAN. Of old a centaur lived there. When the hermit came the centaur gave a shrill cry, wept and lamented, and galloped away.

SECOND MAN. No. It was a white unicorn who lived in the cave. When it saw the hermit coming the unicorn knelt down and worshipped him. Many people saw it worshipping him.

FIRST MAN. I have talked with people who saw it.

* * * * *

SECOND MAN. Some say he was a hewer of wood and worked for hire.