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Today's Stichomancy for Samuel L. Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of War by Sun Tzu:

all the resources of strength and skill unavailing, the pass so narrow that a single man defending it can check the onset of ten thousand; all means of offense in the hands of the enemy, all points of vantage already forfeited by ourselves:--in this terrible plight, even though we had the most valiant soldiers and the keenest of weapons, how could they be employed with the slightest effect?" Students of Greek history may be reminded of the awful close to the Sicilian expedition, and the agony of the Athenians under Nicias and Demonsthenes. [See Thucydides, VII. 78 sqq.].]

11. On dispersive ground, therefore, fight not. On facile


The Art of War
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther:

nothing of other things) to constitute the penalty of purgatory, since it is very near to the horror of despair.

16. Hell, purgatory, and heaven seem to differ as do despair, almost-despair, and the assurance of safety.

17. With souls in purgatory it seems necessary that horror should grow less and love increase.

18. It seems unproved, either by reason or Scripture, that they are outside the state of merit, that is to say, of increasing love.

19. Again, it seems unproved that they, or at least that all of them, are certain or assured of their own blessedness,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Water-Babies by Charles Kingsley:

it, all eyes and teeth. But no sooner was her head inside than valiant Mr. Lobster caught her by the nose and held on.

And there they were all three in the pot, rolling over and over, and very tight packing it was. And the lobster tore at the otter, and the otter tore at the lobster, and both squeezed and thumped poor Tom till he had no breath left in his body; and I don't know what would have happened to him if he had not at last got on the otter's back, and safe out of the hole.

He was right glad when he got out: but he would not desert his friend who had saved him; and the first time he saw his tail uppermost he caught hold of it, and pulled with all his might.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

addressed Lucien as "Monsieur le Comte," and called his customer's attention to the artistic skill with which he had brought a charming figure into relief.

"A young man in such a costume has only to walk in the Tuileries," he said, "and he will marry an English heiress within a fortnight."

Lucien brightened a little under the influences of the German tailor's joke, the perfect fit of his new clothes, the fine cloth, and the sight of a graceful figure which met his eyes in the looking-glass. Vaguely he told himself that Paris was the capital of chance, and for the moment he believed in chance. Had he not a volume of poems and a magnificent romance entitled The Archer of Charles IX. in manuscript?