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Today's Stichomancy for Soren Kierkegaard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Black Arrow by Robert Louis Stevenson:

arms. The next moment they had disappeared within the house; and Dick, slipping through the crowd of loiterers in the shed, was already giving hot pursuit.

"The taller of these twain was Lady Brackley," he thought; "and where Lady Brackley is, Joan will not be far."

At the door of the house the four men-at-arms had ceased to follow, and the ladies were now mounting the stairway of polished oak, under no better escort than that of the two waiting-women. Dick followed close behind. It was already the dusk of the day; and in the house the darkness of the night had almost come. On the stair- landings, torches flared in iron holders; down the long, tapestried

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Facino Cane by Honore de Balzac:

till he reached a lonely spot down by the river, just where the bridge has since been built at the junction of the Canal Saint-Martin and the Seine. Here he sat down on a stone, and I, sitting opposite to him, saw the old man's hair gleaming like threads of silver in the moonlight. The stillness was scarcely troubled by the sound of the far-off thunder of traffic along the boulevards; the clear night air and everything about us combined to make a strangely unreal scene.

"You talk of millions to a young man," I began, "and do you think that he will shrink from enduring any number of hardships to gain them? Are you not laughing at me?"

"May I die unshriven," he cried vehemently, "if all that I am about to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Catherine de Medici by Honore de Balzac:

bed to tell her that the great enemy of the crown was dead, "/now piece together/."

By which she meant that the throne should at once reconcile itself with the house of Lorraine and make use of it, as the only means of preventing evil results from the hatred of the Guises,--by holding out to them the hope of surrounding the king. But the persistent craft and dissimulation of the woman and the Italian, which she had never failed to employ, was incompatible with the debauched life of her son. Catherine de' Medici once dead, the policy of the Valois died also.

Before undertaking to write the history of the manners and morals of this period in action, the author of this Study has patiently and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Contrast by Royall Tyler:

my dear girl, you are a monstrous prude.

LETITIA

I don't say what I would do; I only intimate how I suppose she wishes to act.

CHARLOTTE

No, no, no! A fig for sentiment. If she breaks, or wishes to break, with Mr. Dimple, depend upon it, she has some other man in her eye. A woman rarely dis- cards one lover until she is sure of another. Letitia little thinks what a clue I have to Dimple's conduct. The generous man submits to render himself disgust-