The first excerpt represents the past or something you must release, and is drawn from The Adventures of Huckleberry Finn by Mark Twain: don't, but ma she makes me. Confound these ole
britches! I reckon I'd better put 'em on, but I'd
ruther not, it's so warm. Are you all ready? All
right. Come along, old hoss."
Cold corn-pone, cold corn-beef, butter and butter-
milk -- that is what they had for me down there, and
there ain't nothing better that ever I've come across
yet. Buck and his ma and all of them smoked cob
pipes, except the nigger woman, which was gone, and
the two young women. They all smoked and talked,
and I eat and talked. The young women had quilts
The Adventures of Huckleberry Finn |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Death of the Lion by Henry James: straw that he should write his name; what she did want was to look
straight into his face.
I demurred a little. "And why do you require to do that?"
"Because I just love him!" Before I could recover from the
agitating effect of this crystal ring my companion had continued:
"Hasn't there ever been any face that you've wanted to look into?"
How could I tell her so soon how much I appreciated the opportunity
of looking into hers? I could only assent in general to the
proposition that there were certainly for every one such yearnings,
and even such faces; and I felt the crisis demand all my lucidity,
all my wisdom. "Oh yes, I'm a student of physiognomy. Do you
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The third excerpt represents the future or something you must embrace, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe: [1] A slightly inaccurate quotation from _Hamlet_, Act III,
scene I, lines 369-370.
A missionary figure among the fugitives in Canada told us that
many of the fugitives confessed themselves to have escaped
from comparatively kind masters, and that they were induced to
brave the perils of escape, in almost every case, by the desperate
horror with which they regarded being sold south,--a doom which
was hanging either over themselves or their husbands, their wives
or children. This nerves the African, naturally patient, timid
and unenterprising, with heroic courage, and leads him to suffer
hunger, cold, pain, the perils of the wilderness, and the more
Uncle Tom's Cabin |