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Today's Stichomancy for Madonna

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Brother of Daphne by Dornford Yates:

them instead of their coming here."

"Much as you would have loved them to see Savavic."

"Exactly. You're rather intelligent."

"Oh, I'm often like that. It's in the blood. Grandpa got his B.A.," I explained. "We've loaned his hood to the Wallace Collection. Go on."

"Well, that all sounds very nice and easy, doesn't it? Then, to put the lid on, my chauffeur breaks his arm yesterday afternoon."

"And the uncle's due when?"

"Slept at Laipnik last night. I was to have lunched with them to-day. Oh, the fat's in the fire all right this time. I may

The Brother of Daphne
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

world did rattlesnakes attain to such a monstrous bigness as among the warm, flower-dotted rocks of Silverado. This is a contribution rather to the natural history of the Hansons, than to that of snakes.

One person, however, better served by his instinct, had known the rattle from the first; and that was Chuchu, the dog. No rational creature has ever led an existence more poisoned by terror than that dog's at Silverado. Every whiz of the rattle made him bound. His eyes rolled; he trembled; he would be often wet with sweat. One of our great mysteries was his terror of the mountain. A little away above our

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Intentions by Oscar Wilde:

perusal. . . . Modern things dazzle me. I must look at them through Time's telescope. Elia complains that to him the merit of a MS. poem is uncertain; "print," as he excellently says, "settles it." Fifty years' toning does the same thing to a picture.' He is happier when he is writing about Watteau and Lancret, about Rubens and Giorgione, about Rembrandt, Corregio, and Michael Angelo; happiest of all when he is writing about Greek things. What is Gothic touched him very little, but classical art and the art of the Renaissance were always dear to him. He saw what our English school could gain from a study of Greek models, and never wearies of pointing out to the young student the artistic possibilities

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Frances Waldeaux by Rebecca Davis:

the gallery, pausing before the faded portraits. "You think it is only her money that draws him after us?"

"Why, of course! A fellow like that could not appreciate Miss Dunbar's beauty and wit."

"You think Lucy witty?" said Jean dryly. "And you think she would not marry for a title?"

"I don't believe any pure American girl would sell herself, like a sheep in the shambles! And she is pure! A lamb, a lily! cried Perry, growing incoherent in his heat.

"She would not if her heart were preoccupied," said Jean