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Today's Stichomancy for Madonna

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Jane Eyre by Charlotte Bronte:

probably injudiciously left them. We may, perhaps, succeed in restoring her to them, if she is not obstinate: but I trace lines of force in her face which make me sceptical of her tractability." He stood considering me some minutes; then added, "She looks sensible, but not at all handsome."

"She is so ill, St. John."

"Ill or well, she would always be plain. The grace and harmony of beauty are quite wanting in those features."

On the third day I was better; on the fourth, I could speak, move, rise in bed, and turn. Hannah had brought me some gruel and dry toast, about, as I supposed, the dinner-hour. I had eaten with


Jane Eyre
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Time Machine by H. G. Wells:

the day was growing late, and I had come upon the sight of the place after a long and tiring circuit; so I resolved to hold over the adventure for the following day, and I returned to the welcome and the caresses of little Weena. But next morning I perceived clearly enough that my curiosity regarding the Palace of Green Porcelain was a piece of self-deception, to enable me to shirk, by another day, an experience I dreaded. I resolved I would make the descent without further waste of time, and started out in the early morning towards a well near the ruins of granite and aluminium.

`Little Weena ran with me. She danced beside me to the well,


The Time Machine
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll:

"I'm setting you a riddle - Is - if your Victim be in bed, Don't touch the curtains at his head, But take them in the middle,

"And wave them slowly in and out, While drawing them asunder; And in a minute's time, no doubt, He'll raise his head and look about With eyes of wrath and wonder.

"And here you must on no pretence Make the first observation.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herland by Charlotte Gilman:

"It's no sort of use," I said. "Come on--let's get a sharp stone or something--we must get this thing off."

So we hunted about and found what edged fragments we could, and hacked away, but it was like trying to cut sailcloth with a clamshell.

Terry hacked and dug, but said to us under his breath. "Boys, we're in pretty good condition--let's make a life and death dash and get hold of those girls--we've got to."

They had drawn rather nearer to watch our efforts, and we did take them rather by surprise; also, as Terry said, our recent training had strengthened us in wind and limb, and for a few desperate moments those girls were scared and we almost triumphant.


Herland