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Today's Stichomancy for Ron Howard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dead Souls by Nikolai Vasilievich Gogol:

pretence of forwarding him sundry garments necessary for the night. In the result Chichikov received not only his papers, but also some warm clothing for his hypersensitive limbs. Such a swift recovery of his treasures delighted him beyond expression, and, gathering new hope, he began once more to dream of such allurements as theatre-going and the ballet girl after whom he had for some time past been dangling. Gradually did the country estate and the simple life begin to recede into the distance: gradually did the town house and the life of gaiety begin to loom larger and larger in the foreground. Oh, life, life!

Meanwhile in Government offices and chancellories there had been set on foot a boundless volume of work. Clerical pens slaved, and brains


Dead Souls
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

cock. Pay money, money, money to them that will take spunk out of mankind, and leave 'em all little twiddling machines.'

He sat there in the hut, his face pulled to mocking irony. Yet even then, he had one ear set backwards, listening to the storm over the wood. It made him feel so alone.

'But won't it ever come to an end?' she said.

'Ay, it will. It'll achieve its own salvation. When the last real man is killed, and they're ALL tame: white, black, yellow, all colours of tame ones: then they'll ALL be insane. Because the root of sanity is in the balls. Then they'll all be INSANE, and they'll make their grand ~auto da fe. You know AUTO DA FE means act of faith? Ay, well, they'll


Lady Chatterley's Lover
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jungle Book by Rudyard Kipling:

lives, which is not long.

Akela raised his old head wearily:--

"Free People, and ye too, jackals of Shere Khan, for twelve seasons I have led ye to and from the kill, and in all that time not one has been trapped or maimed. Now I have missed my kill. Ye know how that plot was made. Ye know how ye brought me up to an untried buck to make my weakness known. It was cleverly done. Your right is to kill me here on the Council Rock, now. Therefore, I ask, who comes to make an end of the Lone Wolf? For it is my right, by the Law of the Jungle, that ye come one by one."


The Jungle Book
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mirror of the Sea by Joseph Conrad:

Catalonian, the Italian of Corsica and the French of Provence with the same easy naturalness. Dressed in shore-togs, a white starched shirt, black jacket, and round hat, as I took him once to see Dona Rita, he was extremely presentable. He could make himself interesting by a tactful and rugged reserve set off by a grim, almost imperceptible, playfulness of tone and manner.

He had the physical assurance of strong-hearted men. After half an hour's interview in the dining-room, during which they got in touch with each other in an amazing way, Rita told us in her best GRANDE DAME manner: "MAIS IL ESI PARFAIT, CET HOMME." He was perfect. On board the Tremolino, wrapped up in a black CABAN, the


The Mirror of the Sea