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Today's Stichomancy for Russell Crowe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Underground City by Jules Verne:

"I am the granddaughter of old Silfax," resumed Nell. "I never knew a mother till the day I came here," added she, looking at Madge.

"Blessed be that day, my daughter!" said the old woman.

"I knew no father till I saw Simon Ford," continued Nell; "nor friend till the day when Harry's hand touched mine. Alone with my grandfather I have lived during fifteen years in the remote and most solitary depths of the mine. I say WITH my grandfather, but I can scarcely use the expression, for I seldom saw him. When he disappeared from Old Aberfoyle, he concealed himself in caverns known only to himself. In his way he was kind to me, dreadful as he was; he fed me

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anna Karenina by Leo Tolstoy:

start for the town, but on second thoughts wrote him the contradictory letter that Vronsky received, and without reading it through, sent it off by a special messenger. The next morning she received his letter and regretted her own. She dreaded a repetition of the severe look he had flung at her at parting, especially when he knew that the baby was not dangerously ill. But stin she was glad she had written to him. At this moment Anna was positively admitting to herself that she was a burden to him, that he would relinquish his freedom regretfully to return to her, and in spite of that she was glad he was coming. Let him weary of her, but he would be here with her, so that she would


Anna Karenina
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Voyage to Arcturus by David Lindsay:

not imagine that she had intelligence enough to speak. Haunte suddenly dropped on his knees, and kissed her lips.

She did not repulse him. During the continuance of the kiss, Maskull noticed with a shock that her face was altering. The features emerged from their indistinctness and became human, and almost powerful. The smile faded, a scowl took its place. She thrust Haunte away, rose to her feet, and stared beneath bent brows at the three men, each one in turn. Maskull came last; his face she studied for quite a long time, but nothing indicated what she thought.

Meanwhile Haunte again approached her, staggering and grinning. She suffered him quietly; but the instant lips met lips the second time,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Rape of Lucrece by William Shakespeare:

Which drives the creeping thief to some regard, The threshold grates the door to have him heard; Night-wand'ring weasels shriek to see him there; They fright him, yet he still pursues his fear.

As each unwilling portal yields him way, Through little vents and crannies of the place The wind wars with his torch, to make him stay, And blows the smoke of it into his face, Extinguishing his conduct in this case; But his hot heart, which fond desire doth scorch, Puffs forth another wind that fires the torch: