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Today's Stichomancy for Sarah Silverman

The first excerpt represents the past or something you must release, and is drawn from Moll Flanders by Daniel Defoe:

that when several more of my comrades ran themselves into Newgate presently, and by that time they had been half a year at the trade, I had now practised upwards of five years, and the people at Newgate did not so much as know me; they had heard much of me indeed, and often expected me there, but I always got off, though many times in the extremest danger.

One of the greatest dangers I was now in, was that I was too well known among the trade, and some of them, whose hatred was owing rather to envy than any injury I had done them, began to be angry that I should always escape when they were always catched and hurried to Newgate. These were they that


Moll Flanders
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Baby Mine by Margaret Mayo:

little message from Aggie."

"It seemed to be a SAD one," answered Alfred, with a sarcastic smile, as he recalled the picture of Zoie weeping upon his friend's sleeve.

"Oh no--no!" answered Jimmy, with an elaborate attempt at carelessness.

"Do you generally play the messenger during business hours?" thundered Alfred, becoming more and more enraged at Jimmy's petty evasions.

"Just SOMETIMES," answered Jimmy, persisting in his amiable manner.

The third excerpt represents the future or something you must embrace, and is drawn from Twenty Years After by Alexandre Dumas:

it required but one hour to take up arms again and one night to reconstruct the barricades.

Rochefort had returned to the Chevalier d'Humieres his fifty horsemen, less two, missing at roll call. But the chevalier was himself at heart a Frondist and would hear nothing said of compensation.

The mendicant had gone to his old place on the steps of Saint Eustache and was again distributing holy water with one hand and asking alms with the other. No one could suspect that those two hands had been engaged with others in drawing out from the social edifice the keystone of royalty.


Twenty Years After