Today's Stichomancy for Al Pacino

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Othello by William Shakespeare:

Though great ones are their obiect. 'Tis euen so. For let our finger ake, and it endues Our other healthfull members, euen to a sense Of paine. Nay, we must thinke men are not Gods, Nor of them looke for such obseruancie As fits the Bridall. Beshrew me much, aemilia, I was (vnhandsome Warrior, as I am) Arraigning his vnkindnesse with my soule: But now I finde, I had suborn'd the Witnesse, And he's Indited falsely. Aemil. Pray heauen it bee

Othello

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Madam How and Lady Why by Charles Kingsley:

made mistakes. They were careless, and got weeds among the seed-- like the buttercups, which do so much harm to this pasture. Or they sowed on soil which would not suit the seed, and it died. But at last, after many failures, they have grown so careful and so clever, that you may send to certain shops, saying what sort of soil yours is, and they will send you just the seeds which will grow there, and no other; and then you have a good pasture for as long as you choose to keep it good.

And how is it kept good?

Look at all those loads of hay, which are being carried off the field. Do you think you can take all that away without putting

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

believe. It is living truth to you; to me, upon my conscience, only folk-lore. I do not believe there is any form of words under heaven by which I can lift the burthen from my shoulders. I must stagger on to the end with the pack of my responsibility; I cannot shift it; do you suppose I would not, if I thought I could? I cannot--cannot--cannot--and let that suffice.'

The rapture was all gone from Artwater's countenance; the dark apostle had disappeared; and in his place there stood an easy, sneering gentleman, who took off his hat and bowed. It was pertly done, and the blood burned in Herrick's face.

'What do you mean by that?' he cried.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ferragus by Honore de Balzac:

"What's the matter, Josephine?" asked the valet.

"I don't know," she answered. "Madame is crying, and is going to bed. Monsieur has no doubt got some love-affair on hand, and it has been discovered at a very bad time. I wouldn't answer for madame's life. Men are so clumsy; they'll make you scenes without any precaution."

"That's not so," said the valet, in a low voice. "On the contrary, madame is the one who--you understand? What times does monsieur have to go after pleasures, he, who hasn't slept out of madame's room for five years, who goes to his study at ten and never leaves it till breakfast, at twelve. His life is all known, it is regular; whereas madame goes out nearly every day at three o'clock, Heaven knows

Ferragus