| The first excerpt represents the past or something you must release, and is drawn from Rinkitink In Oz by L. Frank Baum: to witness his defeat, but certain it is that Zella was
not again molested. A brown bear watched her pass
without making any movement in her direction and a
great puma -- a beast much dreaded by all men -- crept
out of her path as she approached, and disappeared
among the trees.
Thus everything favored the girl's journey and she
made such good speed that by noon she emerged from the
forest's edge and found she was quite near to the
bridge of boats that led to Coregos. This she crossed
safely and without meeting any of the rude warriors she
Rinkitink In Oz |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Alexandria and her Schools by Charles Kingsley: art. It can only produce a literary age, as it did in the Ptolemaic
era; a generation of innumerable court-poets, artificial epigrammatists,
artificial idyllists, artificial dramatists and epicists; above all, a
generation of critics. Or rather shall we say, that the dynasty was not
the cause of a literary age, but only its correlative? That when the
old Greeks lost the power of being free, of being anything but the
slaves of oriental despots, as the Ptolemies in reality were, they lost
also the power of producing true works of art; because they had lost
that youthful vigour of mind from which both art and freedom sprang?
Let the case be as it will, Alexandrian literature need not detain us
long--though, alas! it has detained every boy who ever trembled over his
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The third excerpt represents the future or something you must embrace, and is drawn from The Happy Prince and Other Tales by Oscar Wilde: dancing. A beautiful girl came out on the balcony with her lover.
"How wonderful the stars are," he said to her, "and how wonderful
is the power of love!"
"I hope my dress will be ready in time for the State-ball," she
answered; "I have ordered passion-flowers to be embroidered on it;
but the seamstresses are so lazy."
He passed over the river, and saw the lanterns hanging to the masts
of the ships. He passed over the Ghetto, and saw the old Jews
bargaining with each other, and weighing out money in copper
scales. At last he came to the poor house and looked in. The boy
was tossing feverishly on his bed, and the mother had fallen
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