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Today's Stichomancy for Denzel Washington

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Vicar of Tours by Honore de Balzac:

Listomere, chiefly to say, with deep emotion: "Our poor Abbe Birotteau has just received a frightful blow, which shows the most determined hatred. He is appointed curate of Saint-Symphorien."

Saint-Symphorien is a suburb of Tours lying beyond the bridge. That bridge, one of the finest monuments of French architecture, is nineteen hundred feet long, and the two open squares which surround each end are precisely alike.

"Don't you see the misery of it?" she said, after a pause, amazed at the coldness with which Madame de Listomere received the news. "It is just as if the abbe were a hundred miles from Tours, from his friends, from everything! It is a frightful exile, and all the more cruel

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Faraday as a Discoverer by John Tyndall:

account of Faraday's private relations. A hasty glance at the work shows me that the reverent devotion of the biographer has turned to admirable account the materials at his command.

The work of Dr. Bence Jones enables me to correct a statement regarding Wollaston's and Faraday's respective relations to the discovery of Magnetic Rotation. Wollaston's idea was to make the wire carrying a current rotate round its own axis: an idea afterwards realised by the celebrated Ampere. Faraday's discovery was to make the wire carrying the current revolve round the pole of a magnet and the reverse.

John Tyndall.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Collected Articles by Frederick Douglass:

"Yes, sir," I answered; "I have a paper with the American Eagle on it, and that will carry me around the world."

With this I drew from my deep sailor's pocket my seaman's protection, as before described. The merest glance at the paper satisfied him, and he took my fare and went on about his business. This moment of time was one of the most anxious I ever experienced. Had the conductor looked closely at the paper, he could not have failed to discover that it called for a very different-looking person from myself, and in that case it would have been his duty to arrest me on the instant, and send me back to Baltimore from the first station. When he left me with the assurance

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from To-morrow by Joseph Conrad:

"Send him away, my dear. He's only a vaga- bond. What you want is a good home of your own. That chap has no home--he's not like Harry. He can't be Harry. Harry is coming to-morrow. Do you hear? One day more," he babbled more ex- citedly; "never you fear--Harry shall marry you."

His voice rose very shrill and mad against the regular deep soughing of the swell coiling heavily about the outer face of the sea-wall.

"He will have to. I shall make him, or if not"


To-morrow