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Today's Stichomancy for Frank Sinatra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

cognizant of Gahan's identity. The Jed of Gathol smiled. "And if your Jed were here there is little doubt but that he would command you to devote your talents and your prowess to the rescue of the Princess Tara of Helium," he said, meaningly. "And he possessed the knowledge I have gained during my captivity he would say to you, 'Go, Tasor, to the pit where A-kor, son of Haja of Gathol, is confined and set him free and with him arouse the slaves from Gathol and march to The Gate of Enemies and offer your services to U-Thor of Manataj, who is wed to Haja of Gathol, and ask of him in return that he attack the palace of O-Tar and rescue Tara of Helium and when that thing is accomplished that he


The Chessmen of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Faraday as a Discoverer by John Tyndall:

But the work was too heavy for his tired brain. It was long before he could bring himself to relinquish it and during this struggle he often suffered from fatigue of mind. It was at this period, and before he resigned himself to the repose which marked the last two years of his life, that he wrote to me the following letter-- one of many priceless letters now before me--which reveals, more than anything another pen could express, the state of his mind at the time. I was sometimes censured in his presence for my doings in the Alps, but his constant reply was, 'Let him alone, he knows how to take care of himself.' In this letter, anxiety on this score reveals itself for the first time.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sarrasine by Honore de Balzac:

fleshless thighs in folds, like a lowered veil. An anatomist would instinctively have recognized the symptoms of consumption in its advanced stages, at sight of the tiny legs which served to support that strange frame. You would have said that they were a pair of cross-bones on a gravestone. A feeling of profound horror seized the heart when a close scrutiny revealed the marks made by decrepitude upon that frail machine.

He wore a white waistcoat embroidered with gold, in the old style, and his linen was of dazzling whiteness. A shirt-frill of English lace, yellow with age, the magnificence of which a queen might have envied, formed a series of yellow ruffles on his breast; but upon him the lace

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Master Key by L. Frank Baum:

the young man was not likely to remain long and he would soon be alone, he decided to wait. So he walked to the edge of the roof and appeared to be interested in the scenery spread out below him.

"Fine view from here, ain't it?" said the young man, coming up to him and placing his hand carelessly upon the boy's shoulder.

"It is, indeed," replied Rob, leaning over the edge to look into the street.

As he spoke he felt himself gently but firmly pushed from behind and, losing his balance, he plunged headforemost from the roof and whirled through the intervening space toward the sidewalk far below.

Terrified though he was by the sudden disaster, the boy had still wit


The Master Key