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Today's Stichomancy for Frank Sinatra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flame and Shadow by Sara Teasdale:

Over my head, White and topaz And misty red;

Myriads with beating Hearts of fire That aeons Cannot vex or tire;

Up the dome of heaven Like a great hill, I watch them marching Stately and still,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Oakdale Affair by Edgar Rice Burroughs:

always heard."

"We can't leave this woman, my boy," replied Bridge. "She isn't dead. We can't leave her, and we can't take her out into the storm in her condition. We must stay. Come! buck up. There's nothing to fear from a dead man, and--"

He never finished the sentence. From the depths of the cellar came the sound of a clanking chain. Some- thing scratched heavily upon the wooden steps. What- ever it was it was evidently ascending, while behind it clanked the heavy links of a dragged chain.


The Oakdale Affair
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Criminal Sociology by Enrico Ferri:

statistics from the lists of persons convicted at the assize courts and correctional tribunals, taking an average of the years 1877-81, which is not sensibly affected by the results of succeeding years.

It will be seen that the average of relapses for crimes against the person is higher than the average for the most serious cases of murderous and indecent assault, which are clearly an outcome of the most anti-social tendencies (such as parricide, murder, rape, inflicting bodily harm on parents, &c.). Thus homicide and fatal wounding, though relapse is very frequent in these cases, still display a less abnormal and more occasional character by their

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from St. Ives by Robert Louis Stevenson:

soldier and the camp kettle, the prisoner and his prison rations, the fugitive and the horrors of the covered cart!

CHAPTER XVII - THE DESPATCH-BOX

THE doctor had scarce finished his meal before he hastened with an apology to attend upon his patient; and almost immediately after I was myself summoned and ushered up the great staircase and along interminable corridors to the bedside of my great-uncle the Count. You are to think that up to the present moment I had not set eyes on this formidable personage, only on the evidences of his wealth and kindness. You are to think besides that I had heard him miscalled and abused from my earliest childhood up. The first of