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Today's Stichomancy for George S. Patton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from What is Man? by Mark Twain:

its circuit. It would be entirely safe, even if it were built of lucifer matches.

If your seat is near the center of a row and you enter late you must work your way along a rank of about twenty-five ladies and gentlemen to get to it. Yet this causes no trouble, for everybody stands up until all the seats are full, and the filling is accomplished in a very few minutes. Then all sit down, and you have a solid mass of fifteen hundred heads, making a steep cellar-door slant from the rear of the house down to the stage.

All the lights were turned low, so low that the congregation sat in a deep and solemn gloom. The funereal rustling of dresses


What is Man?
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Little Britain by Washington Irving:

the tune of Sir Roger de Coverley. Once a year, also, the neighbors would gather together, and go on a gypsy party to Epping Forest. It would have done any man's heart good to see the merriment that took place here as we banqueted on the grass under the trees. How we made the woods ring with bursts of laughter at the songs of little Wagstaff and the merry undertaker! After dinner, too, the young folks would play at blind-man's-buff and hide-and-seek; and it was amusing to see them tangled among the briers, and to hear a fine romping girl now and then squeak from among the bushes. The elder folks would gather round the cheesemonger and the apothecary to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Canyon by Zane Grey:

the gray. Glenn pointed to where dark banks of cloud had massed around the mountain peaks. The scene to the west was somber and compelling.

At last the men and the pack-horses ahead came to a halt in a level green forestland with no high trees. Far ahead a chain of soft gray round hills led up to the dark heaved mass of mountains. Carley saw the gleam of water through the trees. Probably her mustang saw or scented it, because he started to trot. Carley had reached a limit of strength, endurance, and patience. She hauled him up short. When Spillbeans evinced a stubborn intention to go on Carley gave him a kick. Then it happened.

She felt the reins jerked out of her hands and the saddle propel her upward. When she descended it was to meet that before-experienced jolt.


The Call of the Canyon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twenty Years After by Alexandre Dumas:

to-morrow."

Raoul didn't wait to be told twice; he knew that with superiors, especially when those superiors are princes, the highest politeness is to obey without delay or argument; he went down to the stables, picked out a pie-bald Andalusian horse, saddled and bridled it himself, for Athos had advised him to trust no one with those important offices at a time of danger, and went to rejoin the prince, who at that moment mounted his horse.

"Now, monsieur," he said to Raoul, "will you give me the letter you have brought?"


Twenty Years After