Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for George S. Patton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon flies' wings, the strokes of the water spiders' legs, like oars which had lifted their boat -- all these made audible music. A fish slid along beneath his eyes and he heard the rush of its body parting the water.

He had come to the surface facing down the stream; in a moment the visible world seemed to wheel slowly round, himself the pivotal point, and he saw the bridge, the fort,


An Occurrence at Owl Creek Bridge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from When the World Shook by H. Rider Haggard:

taught to him of old, that faith is the only plank wherewith he can float upon this sea and that his miserable works avail him nothing; also that it is a plank made of many sorts of wood, perhaps to suit our different weights?

So to be honest, in a sense I believe myself to be my father's superior, and I know that he agreed with me. Perhaps this is owing to the blood of my Scotch mother which mixed well with his own; perhaps because the essential spirit given to me, though cast in his mould, was in fact quite different--or of another alloy. Do we, I wonder, really understand that there are millions and billions of these alloys, so many indeed that Nature, or


When the World Shook
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Pierre Grassou by Honore de Balzac:

Fougeres employed what painters call studio fun.

"Well, I don't deny that you are to paint me two pictures for nothing."

"Oh! oh!"

"I'll leave you to do it, or not; I don't ask it. But you're an honest man."

"Come, out with it!"

"Well, I'm prepared to bring you a father, mother, and only daughter."

"All for me?"

"Yes--they want their portraits taken. These bourgeois--they are crazy about art--have never dared to enter a studio. The girl has a 'dot' of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Soul of Man by Oscar Wilde:

absolutely sickened, not by the crimes that the wicked have committed, but by the punishments that the good have inflicted; and a community is infinitely more brutalised by the habitual employment of punishment, than it is by the occurrence of crime. It obviously follows that the more punishment is inflicted the more crime is produced, and most modern legislation has clearly recognised this, and has made it its task to diminish punishment as far as it thinks it can. Wherever it has really diminished it, the results have always been extremely good. The less punishment, the less crime. When there is no punishment at all, crime will either cease to exist, or, if it occurs, will be treated by physicians as