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Today's Stichomancy for Italo Calvino

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Enoch Arden, &c. by Alfred Tennyson:

Light on a broken word to thank him with. But Philip was her children's all-in-all; From distant corners of the street they ran To greet his hearty welcome heartily; Lords of his house and of his mill were they; Worried his passive ear with petty wrongs Or pleasures, hung upon him, play'd with him And call'd him Father Philip. Philip gain'd As Enoch lost; for Enoch seem'd to them Uncertain as a vision or a dream, Faint as a figure seen in early dawn

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Reminiscences of Tolstoy by Leo Tolstoy:

turn out to be not a hare at all, but a horse's skull. How annoying! We would look at papa and Seryózha, thinking, "I wonder if they saw that I took that skull for a hare." But papa would be sitting keen and alert on his English saddle, with the wooden stirrups, smoking a cigarette, while Seryózha would perhaps have got his leash entangled and could not get it straight. "Thank heaven!" we would exclaim, "nobody saw me! What a fool I should have felt!" So we would ride on. The horse's even pace would begin to rock us to sleep,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato:

sometimes called 'the mystical interpretation of Scripture,' in which isolated words are separated from their context, and receive any sense which the fancy of the interpreter may suggest. It is akin to the method employed by Schleiermacher of arranging the dialogues of Plato in chronological order according to what he deems the true arrangement of the ideas contained in them. (Dr. Jackson is also inclined, having constructed a theory, to make the chronology of Plato's writings dependent upon it (See J. of Philol.and elsewhere.).) It may likewise be illustrated by the ingenuity of those who employ symbols to find in Shakespeare a hidden meaning. In the three cases the error is nearly the same:--words are taken out of their natural context, and thus become destitute of any real

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Deputy of Arcis by Honore de Balzac:

don't usually invite friends to see us commit bad actions; but since you are so kind as to offer, I can truly say I shall be less wretched if you are with me. Now good-bye; I don't want my husband to find me out when he comes home. He is dining with Monsieur de Rastignac, where, no doubt, they are plotting for to-morrow."

"Yes, go; and I will write you a note in the course of an hour, as if I had not seen you, asking you to get me a permit for to-morrow's session, which I am told will be very interesting."

"To be reduced to conspiracy!" cried Madame de l'Estorade, kissing her friend.

"My dear love," said Madame de Camps, "they say the life of a