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Today's Stichomancy for Italo Calvino

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mayflower Compact:

In Witness whereof we have hereunto subscribed our names at Cape Cod the eleventh of November, in the Raigne of our Sovereigne Lord, King James of England, France, and Ireland, the eighteenth, and of Scotland, the fiftie-fourth, Anno. Domini, 1620.

Mr. John Carver Mr. Stephen Hopkins Mr. William Bradford Digery Priest Mr. Edward Winslow Thomas Williams Mr. William Brewster Gilbert Winslow Isaac Allerton Edmund Margesson Miles Standish Peter Brown

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Golden Threshold by Sarojini Naidu:

Blue as the wing of a halcyon wild, We weave the robes of a new-born child.

Weavers, weaving at fall of night, Why do you weave a garment so bright? . . . Like the plumes of a peacock, purple and green, We weave the marriage-veils of a queen.

Weavers, weaving solemn and still, What do you weave in the moonlight chill? . . . White as a feather and white as a cloud, We weave a dead man's funeral shroud.

COROMANDEL FISHERS

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Episode Under the Terror by Honore de Balzac:

"My post is here where the sufferers are," the priest said simply, and the women said no more, but looked at their guest in reverent admiration. He turned to the nun with the wafers.

"Sister Marthe," he said, "the messenger will say Fiat Voluntas in answer to the word Hosanna."

"There is some one on the stairs!" cried the other nun, opening a hiding-place contrived in the roof.

This time it was easy to hear, amid the deepest silence, a sound echoing up the staircase; it was a man's tread on the steps covered with dried lumps of mud. With some difficulty the priest slipped into a kind of cupboard, and the nun flung some clothes over him.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Adam Bede by George Eliot:

thy head?"

"It's no matter what's put it into my head. My head's none so hollow as it must get in, an' nought to put it there. I know she's fond on him, as I know th' wind's comin' in at the door, an' that's anoof. An' he might be willin' to marry her if he know'd she's fond on him, but he'll ne'er think on't if somebody doesna put it into's head."

His mother's suggestion about Dinah's feeling towards Adam was not quite a new thought to Seth, but her last words alarmed him, lest she should herself undertake to open Adam's eyes. He was not sure about Dinah's feeling, and he thought he was sure about Adam's.


Adam Bede