| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato: sometimes called 'the mystical interpretation of Scripture,' in which
isolated words are separated from their context, and receive any sense
which the fancy of the interpreter may suggest. It is akin to the method
employed by Schleiermacher of arranging the dialogues of Plato in
chronological order according to what he deems the true arrangement of the
ideas contained in them. (Dr. Jackson is also inclined, having constructed
a theory, to make the chronology of Plato's writings dependent upon it
(See J. of Philol.and elsewhere.).) It may likewise be illustrated by the
ingenuity of those who employ symbols to find in Shakespeare a hidden
meaning. In the three cases the error is nearly the same:--words are taken
out of their natural context, and thus become destitute of any real
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Deputy of Arcis by Honore de Balzac: don't usually invite friends to see us commit bad actions; but since
you are so kind as to offer, I can truly say I shall be less wretched
if you are with me. Now good-bye; I don't want my husband to find me
out when he comes home. He is dining with Monsieur de Rastignac,
where, no doubt, they are plotting for to-morrow."
"Yes, go; and I will write you a note in the course of an hour, as if
I had not seen you, asking you to get me a permit for to-morrow's
session, which I am told will be very interesting."
"To be reduced to conspiracy!" cried Madame de l'Estorade, kissing her
friend.
"My dear love," said Madame de Camps, "they say the life of a
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