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Today's Stichomancy for Italo Calvino

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

"Don't do it to-day," Gatsby answered. He turned to me apologetically. "You know, old sport, I've never used that pool all summer?"

I looked at my watch and stood up.

"Twelve minutes to my train."

I didn't want to go to the city. I wasn't worth a decent stroke of work, but it was more than that--I didn't want to leave Gatsby. I missed that train, and then another, before I could get myself away.

"I'll call you up," I said finally.

"Do, old sport."

"I'll call you about noon."

We walked slowly down the steps.


The Great Gatsby
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Inland Voyage by Robert Louis Stevenson:

hardly enough to steer by. Progress was intermittent and unsatisfactory. A jocular person, of marine antecedents, hailed us from the tow-path with a 'C'EST VITE, MAIS C'EST LONG.'

The canal was busy enough. Every now and then we met or overtook a long string of boats, with great green tillers; high sterns with a window on either side of the rudder, and perhaps a jug or a flower- pot in one of the windows; a dinghy following behind; a woman busied about the day's dinner, and a handful of children. These barges were all tied one behind the other with tow ropes, to the number of twenty-five or thirty; and the line was headed and kept in motion by a steamer of strange construction. It had neither

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Frankenstein by Mary Shelley:

in the light of morning whilst I was yet engaged in my laboratory.

As I applied so closely, it may be easily conceived that my progress was rapid. My ardour was indeed the astonishment of the students, and my proficiency that of the masters. Professor Krempe often asked me, with a sly smile, how Cornelius Agrippa went on, whilst M. Waldman expressed the most heartfelt exultation in my progress. Two years passed in this manner, during which I paid no visit to Geneva, but was engaged, heart and soul, in the pursuit of some discoveries which I hoped to make. None but those who have experienced them can conceive of the enticements of science. In other studies you go as far as others have gone before you,


Frankenstein
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fanny Herself by Edna Ferber:

this amazing street. She was back at her hotel in ten minutes. Ella had not yet come in. Their rooms were on the tenth floor. Fanny got her coat, peered at her own reflection in the mirror, sighed, shook her head, and was off down the hall toward the elevators. The great hall window looked toward Fifth avenue, but between it and the avenue rose a yellow-brick building that housed tier on tier of manufacturing lofts. Cloaks, suits, blouses, petticoats, hats, dresses--it was just such a building as Fanny had come from when she left the offices of Horn & Udell. It might be their very building, for all she knew. She looked straight


Fanny Herself