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Today's Stichomancy for Kurt Cobain

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Start in Life by Honore de Balzac:

Georges.

"To whom have I the honor of speaking?" asked old Leger, curtly.

"What! you don't recognize Colonel Georges, the friend of Ali pacha? We travelled together once upon a time, in company with the Comte de Serizy."

One of the habitual follies of those who have fallen in the world is to recognize and desire the recognition of others.

"You are much changed," said the ex-farmer, now twice a millionaire.

"All things change," said Georges. "Look at the Lion d'Argent and Pierrotin's coach; they are not a bit like what they were fourteen years ago."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from La Grenadiere by Honore de Balzac:

the rock on the highest terrace of all, with the dark, old balustrade along its edge. Opposite the gateway, a wooden summer-house stands against the neighboring wall, the posts are covered with jessamine and honeysuckle, vines and clematis.

The house itself stands in the middle of this highest garden, above a vine-covered flight of steps, with an arched doorway beneath that leads to vast cellars hollowed out in the rock. All about the dwelling trellised vines and pomegranate-trees (the grenadiers, which give the name to the little close) are growing out in the open air. The front of the house consists of two large windows on either side of a very rustic-looking house door, and three dormer windows in the roof--a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

the shrunken rivers in the gorges up which they had come. The seeing had become purblind so gradually that they scarcely noticed their loss. They guided the sightless youngsters hither and thither until they knew the whole valley marvellously, and when at last sight died out among them the race lived on. They had even time to adapt themselves to the blind control of fire, which they made carefully in stoves of stone. They were a simple strain of people at the first, unlettered, only slightly touched with the Spanish civilisation, but with something of a tradition of the arts of old Peru and of its lost philosophy. Generation followed generation. They forgot many things; they devised many things.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Red Badge of Courage by Stephen Crane:

stood tottering before the rifle barrel, he called out: "Why, hello, Wilson, you--you here?"

The rifle was lowered to a position of caution and the loud soldier came slowly forward. He peered into the youth's face. "That you, Henry?"

"Yes, it's--it's me."

"Well, well, ol' boy," said the other, "by ginger, I'm glad t' see yeh! I give yeh up fer a goner. I thought yeh was dead sure enough." There was husky emotion in his


The Red Badge of Courage