| The first excerpt represents the past or something you must release, and is drawn from Cousin Betty by Honore de Balzac: if I bid them.--I try to do a little good. Ah! I know what I endured
from hunger myself!--Bijou has confided to me all her little sorrows.
There is the making of a super at the Ambigu-Comique in that child.
Her dream is to wear fine dresses like mine; above all, to ride in a
carriage. I shall say to her, 'Look here, little one, would you like
to have a friend of--' How old are you?" she asked, interrupting
herself. "Seventy-two?"
"I have given up counting."
" 'Would you like an old gentleman of seventy-two?' I shall say. 'Very
clean and neat, and who does not take snuff, who is as sound as a
bell, and as good as a young man? He will marry you (in the Thirteenth
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Kenilworth by Walter Scott: Use axe and lever, Master Foster--I will be your warrant!"
"It shall not need, madam," Varney was at length distinctly heard
to say. "If you please to expose my lord's important concerns
and your own to the general ear, I will not be your hindrance."
The door was unlocked and thrown open, and Janet and her father
rushed in, anxious to learn the cause of these reiterated
exclamations.
When they entered the apartment Varney stood by the door grinding
his teeth, with an expression in which rage, and shame, and fear
had each their share. The Countess stood in the midst of her
apartment like a juvenile Pythoness under the influence of the
Kenilworth |
The third excerpt represents the future or something you must embrace, and is drawn from Confidence by Henry James: his head was bent a little, his magnificent beard rippled over
the expanse of his shirt-front. But Bernard was not slow to see
that his gaze was heavy and opaque, and that, though he was
staring at the actresses, their charms were lost upon him.
He saw that, like himself, poor Lovelock had matter for reflection
in his manly breast, and he concluded that Blanche's ponderous
swain was also suffering from a sense of disjunction.
Lovelock sat in the same posture all the evening, and that his
imagination had not projected itself into the play was proved
by the fact that during the entractes he gazed with the same dull
fixedness at the curtain. Bernard forebore to interrupt him;
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