| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ivanhoe by Walter Scott: with treasure to prosecute his rebellious purposes,
would stand in no small need of a powerful protector
who enjoyed Richard's favour.
``Thou art speaking but sooth, Rebecca,'' said
Isaac, giving way to these weighty arguments---``it
were an offending of Heaven to betray the secrets
of the blessed Miriam; for the good which Heaven
giveth, is not rashly to be squandered upon
others, whether it be talents of gold and shekels of
silver, or whether it be the secret mysteries of a wise
physician---assuredly they should be preserved to
Ivanhoe |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Charmides and Other Poems by Oscar Wilde: Stole into his, and warm lips timidly
Brushed his pale cheeks, and breathed their secret forth into a
sigh.
Then turned he round his weary eyes and saw,
And ever nigher still their faces came,
And nigher ever did their young mouths draw
Until they seemed one perfect rose of flame,
And longing arms around her neck he cast,
And felt her throbbing bosom, and his breath came hot and fast,
And all his hoarded sweets were hers to kiss,
And all her maidenhood was his to slay,
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Midsummer Night's Dream by William Shakespeare: Speake thou now
Rob. Here villaine, drawne & readie. Where art thou?
Lys. I will be with thee straight
Rob. Follow me then to plainer ground.
Enter Demetrius.
Dem. Lysander, speake againe;
Thou runaway, thou coward, art thou fled?
Speake in some bush: Where dost thou hide thy head?
Rob. Thou coward, art thou bragging to the stars,
Telling the bushes that thou look'st for wars,
And wilt not come? Come recreant, come thou childe,
A Midsummer Night's Dream |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pericles by William Shakespeare: And with dead cheeks advise thee to desist
For going on death's net, whom none resist.
PERICLES.
Antiochus, I thank thee, who hath taught
My frail mortality to know itself,
And by those fearful objects to prepare
This body, like to them, to what I must;
For death remember'd should be like a mirror,
Who tells us life 's but breath, to trust it error.
I'll make my will then, and, as sick men do
Who know the world, see heaven, but, feeling woe,
|
