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Today's Stichomancy for Penelope Cruz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

Connie walked dimly on. From the old wood came an ancient melancholy, somehow soothing to her, better than the harsh insentience of the outer world. She liked the INWARDNESS of the remnant of forest, the unspeaking reticence of the old trees. They seemed a very power of silence, and yet a vital presence. They, too, were waiting: obstinately, stoically waiting, and giving off a potency of silence. Perhaps they were only waiting for the end; to be cut down, cleared away, the end of the forest, for them the end of all things. But perhaps their strong and aristocratic silence, the silence of strong trees, meant something else.

As she came out of the wood on the north side, the keeper's cottage, a


Lady Chatterley's Lover
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Underdogs by Mariano Azuela:

going to depose the Government. Tomorrow would there- fore belong wholly to them. A man must consequently be on their side, only on their side.

"No," he said to himself almost aloud, "I don't think I've made a mistake this time."

"What did you say?" Camilla asked. "I thought you'd lost your tongue. . . . I thought the mice had eaten it up!"

Luis Cervantes frowned and cast a hostile glance at this little plump monkey with her bronzed complexion, her ivory teeth, and her thick square toes.


The Underdogs
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Virginian by Owen Wister:

"Smoking is snug, too," said I. And we marked our points for an hour, with no words save about the cards.

"I'll be pretty near glad when we get out of these mountains," said the Virginian. "They're most too big."

The pines had altogether ceased; but their silence was as tremendous as their roar had been.

"I don't know, though," he resumed. "There's times when the plains can be awful big, too."

Presently we finished a hand, and he said, "Let me see that paper."

He sat readin, it apparently through, while I arranged my


The Virginian
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gone With the Wind by Margaret Mitchell:

poor white sign somethin' like this?' And that feller Hilton spoke up smooth-like and said: 'Yes sir, they did and they got a pile of money like you'll get.'

"And then the old gentleman let out a roar like a bull. Alex Fontaine said he heard him from down the street at the saloon. And he said with a brogue you could cut with a butterknife: 'And were ye afther thinkin' an O'Hara of Tara would be follyin' the dirthy thracks of a Goddamned Orangeman and a God-damned poor white?' And he tore the paper in two and threw it in Suellen's face and he bellowed: 'Ye're no daughter of mine!' and he was out of the office before you could say Jack Robinson.


Gone With the Wind