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Today's Stichomancy for Robert Redford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Agesilaus by Xenophon:

show of battle, resisted--"No kiss might he accept."[3] I ask whether such an incident does not reveal on the face of it the self-respect of the man, and that of no vulgar order.[4] Megabates, who looked upon himself as in some sense dishonoured, for the future endeavoured not to offend in like sort again.[5] Whereupon Agesilaus appealed to one who was his comrade to persuade Megabates again to honour him with his regard; and the comrade, so appealed to, demanding, "If I persuade him, will you bestow on him a kiss?" Agesilaus fell into a silence, but presently exclaimed: "No, by the Twins, not if I might this very instant become the swiftest-footed, strongest, and handsomest of men.[6] And as to that battle I swear by all the gods I would far

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from St. Ives by Robert Louis Stevenson:

desperation about his team, and, in spite of the cold morning, breathing hot with his exertions. We came, at last, a little before sunrise to the summit of a hill, and saw the high-road passing at right angles through an open country of meadows and hedgerow pollards; and not only the York mail, speeding smoothly at the gallop of the four horses, but a post-chaise besides, with the post-boy titupping briskly, and the traveller himself putting his head out of the window, but whether to breathe the dawn, or the better to observe the passage of the mail, I do not know. So that we enjoyed for an instant a picture of free life on the road, in its most luxurious forms of despatch and comfort. And thereafter,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Horse's Tale by Mark Twain:

music like the bugle to stir the blood, in the still solemnity of the morning twilight, with the dim plain stretching away to nothing and the spectral mountains slumbering against the sky. You'll hear another note in a minute - faint and far and clear, like the other one, and sweeter still, you'll notice. Wait . . . listen. There it goes! It says, 'IT IS I, SOLDIER - COME!' . . .

[SOLDIER BOY'S BUGLE CALL]

. . . Now then, watch me leave a blue streak behind!"

CHAPTER VII - SOLDIER BOY AND SHEKELS

"Did you do as I told you? Did you look up the Mexican Plug?"

"Yes, I made his acquaintance before night and got his friendship."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moon-Face and Other Stories by Jack London:

but successful. The city seemed crowded with inexperienced stenographers and typewriters, and they had nothing but their own inexperience to offer. Edna's secret ambition had been journalism; but she had planned a clerical position first, so that she might have time and space in which to determine where and on what line of journalism she would embark. But the clerical position had not been forthcoming, either for Letty or her, and day by day their little hoard dwindled, though the room rent remained normal and the stove consumed coal with undiminished voracity. And it was a slim little hoard by now.

"There's Max Irwin," Letty said, talking it over. "He's a journalist with a national reputation. Go and see him, Ed. He knows how, and he should be able to tell you how."