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Today's Stichomancy for Robert Redford

The first excerpt represents the past or something you must release, and is drawn from Anabasis by Xenophon:

and was exiled from Athens. Sparta gave him land and property in Scillus, where he lived for many years before having to move once more, to settle in Corinth. He died in 354 B.C.

The Anabasis is his story of the march to Persia to aid Cyrus, who enlisted Greek help to try and take the throne from Artaxerxes, and the ensuing return of the Greeks, in which Xenophon played a leading role. This occurred between 401 B.C. and March 399 B.C.

PREPARER'S NOTE


Anabasis
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Sportsman by Xenophon:

in tongue a Hellene, about twenty years of age, of wiry build, agile at once and strong, with pluck enough to overcome the toils imposed on him,[2] and to take pleasure in the work.

[2] {toutous}, "by this, that, or the other good quality."

The ordinary small nets should be made of fine Phasian or Carthaginian[3] flax, and so too should the road nets and the larger hayes.[4] These small nets should be nine-threaded [made of three strandes, and each strand of three threads],[5] five spans[6] in depth,[7] and two palms[8] at the nooses or pockets.[9] There should be no knots in the cords that run round, which should be so inserted as to run quite smoothly.[10] The road net should be twelve-threaded,

The third excerpt represents the future or something you must embrace, and is drawn from War and Peace by Leo Tolstoy:

thought a moment, and, evidently understanding what Rostov hinted at, seized his arm.

"Nonsense!" he cried, and the veins on his forehead and neck stood out like cords. "You are mad, I tell you. I won't allow it. The purse is here! I'll flay this scoundwel alive, and it will be found."

"I know who has taken it," repeated Rostov in an unsteady voice, and went to the door.

"And I tell you, don't you dahe to do it!" shouted Denisov, rushing at the cadet to restrain him.

But Rostov pulled away his arm and, with as much anger as though Denisov were his worst enemy, firmly fixed his eyes directly on his


War and Peace