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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from Middlemarch by George Eliot: repressing a rising sob.
"Why should you say that?" said Will, with irritation. "As if I
were not in danger of forgetting everything else."
He had really a movement of anger against her at that moment, and it
impelled him to go away without pause. It was all one flash to Dorothea--
his last words--his distant bow to her as he reached the door--
the sense that he was no longer there. She sank into the chair,
and for a few moments sat like a statue, while images and emotions
were hurrying upon her. Joy came first, in spite of the threatening
train behind it--joy in the impression that it was really herself
whom Will loved and was renouncing, that there was really no other
 Middlemarch |