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Today's Stichomancy for Snoop Dogg

The first excerpt represents the past or something you must release, and is drawn from The Lost Princess of Oz by L. Frank Baum:

It was all so ridiculous that Cayke laughed aloud, and even the Frogman's wide mouth curled in a smile. Neither was a bit afraid to go to the Bear City, and it seemed to both that there was a possibility they might discover the missing dishpan. So the Frogman said, "Lead the way, little Bear, and we will follow without a struggle."

"That's very sensible of you, very sensible indeed," declared the Brown Bear. "So for-ward, MARCH!" And with the command he turned around and began to waddle along a path that led between the trees.

Cayke and the Frogman, as they followed their conductor, could scarce forbear laughing at his stiff, awkward manner of walking, and although


The Lost Princess of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Four Arthurian Romances by Chretien DeTroyes:

up again the houses which he had destroyed. When these things were agreed upon in accordance with the lady's wish, my lord Yvain asked leave to depart. But she would not have granted him this permission had he been willing to take her as his mistress. or to marry her. But he would not allow himself to be followed or escorted a single step, but rather departed hastily: in this case entreaty was of no avail. So he started out to retrace his path, leaving the lady much chagrined, whose joy he had caused a while before. When he will not tarry longer she is the more distressed and ill at ease in proportion to the happiness he had brought to her, for she would have wished to honour him, and

The third excerpt represents the future or something you must embrace, and is drawn from Albert Savarus by Honore de Balzac:

Soulas' is too prominent; Monsieur de Grancey's is fine, but he is seventy, and has no hair, it is impossible to see where his forehead ends."

"What is the matter, Rosalie; you are eating nothing?"

"I am not hungry, mamma," said she. "A prelate's hands----" she went on to herself. "I cannot remember our handsome Archbishop's hands, though he confirmed me."

Finally, in the midst of her coming and going in the labyrinth of her meditations, she remembered a lighted window she had seen from her bed, gleaming through the trees of the two adjoining gardens, when she had happened to wake in the night. . . . "Then that was his light!"


Albert Savarus