| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alcibiades I by Plato: general spirit of his writings. Indeed the greater part of the evidence
for the genuineness of ancient Greek authors may be summed up under two
heads only: (1) excellence; and (2) uniformity of tradition--a kind of
evidence, which though in many cases sufficient, is of inferior value.
Proceeding upon these principles we appear to arrive at the conclusion that
nineteen-twentieths of all the writings which have ever been ascribed to
Plato, are undoubtedly genuine. There is another portion of them,
including the Epistles, the Epinomis, the dialogues rejected by the
ancients themselves, namely, the Axiochus, De justo, De virtute, Demodocus,
Sisyphus, Eryxias, which on grounds, both of internal and external
evidence, we are able with equal certainty to reject. But there still
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ball at Sceaux by Honore de Balzac: dangers which threatened the royalist leaders during this stormy
period of modern history, he was wont to say in jest, "I am one of the
men who gave themselves to be killed on the steps of the throne." And
the pleasantry had some truth in it, as spoken by a man left for dead
at the bloody battle of Les Quatre Chemins. Though ruined by
confiscation, the staunch Vendeen steadily refused the lucrative posts
offered to him by the Emperor Napoleon. Immovable in his aristocratic
faith, he had blindly obeyed its precepts when he thought it fitting
to choose a companion for life. In spite of the blandishments of a
rich but revolutionary parvenu, who valued the alliance at a high
figure, he married Mademoiselle de Kergarouet, without a fortune, but
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Alcibiades II by Platonic Imitator: age or older than yourself there are some who are senseless,--as there
certainly are,--they are mad. For tell me, by heaven, do you not think
that in the city the wise are few, while the foolish, whom you call mad,
are many?
ALCIBIADES: I do.
SOCRATES: But how could we live in safety with so many crazy people?
Should we not long since have paid the penalty at their hands, and have
been struck and beaten and endured every other form of ill-usage which
madmen are wont to inflict? Consider, my dear friend: may it not be quite
otherwise?
ALCIBIADES: Why, Socrates, how is that possible? I must have been
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Child of Storm by H. Rider Haggard: crowd of other women and of children. At regular intervals she
announced that she was dying, and emitted a fearful yell, whereupon all
the audience yelled also; in short, the place was a perfect pandemonium.
Telling Umbezi to get the hut cleared, I said that I would go to fetch
my medicines. Meanwhile I ordered my servant, Scowl, a humorous-looking
fellow, light yellow in hue, for he had a strong dash of Hottentot in
his composition, to cleanse the wound. When I returned from the wagon
ten minutes later the screams were more terrible than before, although
the chorus now stood without the hut. Nor was this altogether
wonderful, for on entering the place I found Scowl trimming up "the Old
Cow's" ear with a pair of blunt nail-scissors.
Child of Storm |
