| The first excerpt represents the past or something you must release, and is drawn from A Heap O' Livin' by Edgar A. Guest: To eyes that soon are stretching wide
With wonder at the treasures rare
That have been bought and gathered there.
But when folks come to call on me,
I've no such things for them to see.
No picture on my walls is great;
I have no ancient family plate;
No tapestry of rare design
Or costly woven rugs are mine;
I have no loving cup to show,
Or strange and valued curio;
 A Heap O' Livin' |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Robinson Crusoe by Daniel Defoe: could the other boat. Then I measured the distance of ground, and
resolved to cut a dock or canal, to bring the water up to the
canoe, seeing I could not bring the canoe down to the water. Well,
I began this work; and when I began to enter upon it, and calculate
how deep it was to be dug, how broad, how the stuff was to be
thrown out, I found that, by the number of hands I had, being none
but my own, it must have been ten or twelve years before I could
have gone through with it; for the shore lay so high, that at the
upper end it must have been at least twenty feet deep; so at
length, though with great reluctancy, I gave this attempt over
also.
 Robinson Crusoe |
The third excerpt represents the future or something you must embrace, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft: "Your son being a good Christian minister,"
said the gentleman, "It's strange he did not advise
you to let the poor negroes have their liberty and
go North."
"It's not at all strange, sir; it's not at all
strange. My son knows what's best for the nig-
gers; he has always told me that they were much
better off than the free niggers in the North. In
fact, I don't believe there are any white labouring
people in the world who are as well off as the
slaves."
 Running a Thousand Miles for Freedom |