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Today's Stichomancy for Thomas Edison

The first excerpt represents the past or something you must release, and is drawn from Eryxias by Platonic Imitator:

fall to disputing about a matter of such moment, that is, about wealth, and not merely whether it is black or white, light or heavy, but whether it is a good or an evil, whereby, although you are now the dearest of friends and kinsmen, the most bitter hatred may arise betwixt you, I must hinder your dissension to the best of my power. If I could, I would tell you the truth, and so put an end to the dispute; but as I cannot do this, and each of you supposes that you can bring the other to an agreement, I am prepared, as far as my capacity admits, to help you in solving the question. Please, therefore, Critias, try to make us accept the doctrines which you yourself entertain.

CRITIAS: I should like to follow up the argument, and will ask Eryxias

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon:

after the manner of the Eleians, where the fruition of beauty is an act of grace; whilst there are others who would absolutely debar the lover from all conversation[23] and discourse with the beloved.

[22] See Xen. "Symp." viii. 34; Plato, "Symp." 182 B (Jowett, II. p. 33).

[23] {dialegesthai} came to mean philosophic discussion and debate. Is the author thinking of Socrates? See "Mem." I. ii. 35; IV. v. 12.

Lycurgus adopted a system opposed to all of these alike. Given that some one, himself being all that a man ought to be, should in admiration of a boy's soul[24] endeavour to discover in him a true friend without reproach, and to consort with him--this was a

The third excerpt represents the future or something you must embrace, and is drawn from Fanny Herself by Edna Ferber:

it a brogue. It was nothing so gross as that. One does not speak of the flavor of a rare wine; one calls attention to its bouquet. A subtle, teasing, elusive something that just tickles the senses instead of punching them in the ribs. So his speech was permeated with a will-o'-the-wisp, a tingling richness that evaded definition. You will have to imagine it. There shall be no vain attempt to set it down. Besides, you always skip dialect.

"So you're going away. I'd heard. Where to?"

"Chicago, Haynes-Cooper. It's a wonderful chance. I don't see yet how I got it. There's only one other woman on their


Fanny Herself