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Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Children of the Night by Edwin Arlington Robinson:

Shakes to a ghostly battle-blast, Since Persia fell at Marathon.

But into soundless Acheron The glory of Greek shame was cast: Long centuries have come and gone,

The suns of Hellas have all shone, The first has fallen to the last: -- Since Persia fell at Marathon, Long centuries have come and gone.

John Evereldown

"Where are you going to-night, to-night, --

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anthem by Ayn Rand:

sometimes, in the secret darkness of our heart, we regret that which befell us on our fifteenth birthday, we know that it was through our own guilt. We had broken a law, for we had not paid heed to the words of our Teachers. The Teachers had said to us all:

"Dare not choose in your minds the work you would like to do when you leave the Home of the Students. You shall do that which the Council of Vocations shall

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ferragus by Honore de Balzac:

Ferragus is sound asleep, you can see and hear them to-morrow at your ease. I'm on good terms with a locksmith,--a very friendly man, who talks like an angel, and he'll do the work for me and say nothing about it."

"Then here's a hundred francs for him. Come to-night to Monsieur Desmaret's office; he's a notary, and here's his address. At nine o'clock the deed will be ready, but--silence!"

"Enough, monsieur; as you say--silence! Au revoir, monsieur."

Jules went home, almost calmed by the certainty that he should know the truth on the morrow. As he entered the house, the porter gave him the letter properly resealed.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pupil by Henry James:

child; than whom really (and she meant literally what she said) there was no better company in Europe? Mrs. Moreen herself took to appealing to him as a man of the world; she said "Voyons, mon cher," and "My dear man, look here now"; and urged him to be reasonable, putting it before him that it was truly a chance for him. She spoke as if, according as he SHOULD be reasonable, he would prove himself worthy to be her son's tutor and of the extraordinary confidence they had placed in him.

After all, Pemberton reflected, it was only a difference of theory and the theory didn't matter much. They had hitherto gone on that of remunerated, as now they would go on that of gratuitous,